Douglas Stuart

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Shuggie Bain

AN AMAZINGLY INTIMATE compassionate, gripping portrait of addiction, courage and love' The judges of the Booker PrizeIt is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.Shuggie is different.

Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Édouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell. (fr förlaget)

Vinnare av 2020 års Booker-pris!

Året är 1981 och industristaden Glasgow är nere för räkning. Under Thatchers järnhårda styre måste man kämpa för att överleva. Glamorösa Agnes Bain har alltid haft större drömmar än så, men när hennes man lämnar familjen faller allt samman och det kommer an på barnen att fånga henne. Shuggie Bain, minstingen, är den som håller ut längst. Men Shuggie drömmer sig också bort, från gruvområdet och från den hånfulla omgivning som aldrig låter honom glömma att han är annorlunda.

Douglas Stuarts debutroman SHUGGIE BAIN är en berättelse om klass och kärlek. Den har fått ett storartat mottagande och jämförts med såväl Frank McCourt, Hanya Yanagihara och Éduoard Louis som James Joyce. ”En debut som känns som ett mästerverk”, skrev Washington Post.